Well, everyone, sorry that it took a while for me to finally see the following film that I will be reviewing here shortly. But hey, better late than never, right? Anyway, today, we are going to be reviewing the newest animated film from Columbia Pictures, and Sony Pictures Animation. It is the sequel to the 2018 animated film, Spider-Man: Into The Spiderverse. With that said, let’s talk about it’s new sequel, Spider-Man: Across The Spiderverse.

Plot: Sixteen months after the events of Spider-Man: Into The Spiderverse, Gwen Stacy/Spider-Woman (Hailee Steinfeld) goes back to Miles Morales/Spider-Man’s (Shameik Moore) universe following them both discovering The Spot (Jason Schwartzman), a villain who’s been creating chaos following the events of the first film. With the help of both old, and new friends in the alternate universes, will Spider-Man, and Spider-Woman be able to track down The Spot, and put an end to his plans once, and for all?

So, although Spider-Man: Into The Spiderverse was a very good film, for the most part, that one seemed to be more in the lower A grade range. Was Spider-Man: Across The Spiderverse any better? Well, I’m here to tell you that, yes, it was. Again, not quite perfect, but still a little more of an improvement from the previous film. First of all, the animation seemed to feel a little more upgraded this time around. Yes, the animation was still more of a comic book style type of animation like in the first film. Even so, the movements of the character, and objects seemed to flow more smoothly. Oh, and the backgrounds seemed to feel more lively this time around as well. Another element that makes the animation even better is that there are times when the animation can be very symbolic for a number of reasons. Oh, and one more thing that was great about the animation. The facial expressions were top notch, and made the animation all the more great as well. Next, there are the characters. Okay, unlike with the first film, where the character development seemed to feel a little more hit, and miss, nearly every one of them is much better developed this time around. Even the villain, well known as The Spot, was a very big improvement from Kingpin in the last film. While his actions are inexcusable, you still have an understanding of his motivations for his actions nevertheless. Yes, that was sort of the case for Kingpin as well. Still, the difference is that The Spot’s motivations are more understandable, and don’t seem to feel somewhat lame like Kingpin’s seemed to. Honestly, he, and Vulture, despite the latter only having a smaller amount of screen time, we’re both huge improvements from Kingpin. Both of them also had some comedic moments as well, especially The Spot. So there you have it at least with the villains. Also, going on development for other characters, because there weren’t quite as many of those to focus in on like with Spider-Man: Into The Spiderverse, more characters got fleshed out, and more time to shine as a result. Then, there’s the score by Daniel Pemberton. If you liked his score for the first film, chances are you’ll probably like his score for this second installment. I mean from the rock guitar in some scenes, particularly the action sequences, to the more calm, and peaceful moments, his soundtrack doesn’t disappoint. I wouldn’t be surprised if sooner rather than later, people like myself would decide to get the soundtrack for this film. Yes, believe it, or not, it’s that good. Now, about the storyline. As many of you may know, this Spider-Man film was around two and a half hours long. Very atypical for an animated film, is it not? Now, for the million dollar question, did this Spider-Man film need to be that long? Well, let me put it to you all this way. It is possible that maybe this film might have dragged in one, or two spots? Sure! Besides that, yes, it needed to be almost, if not quite, as long as it was in the end. The surprisingly long run time served as a great benefit. Like what, you may ask? Well, there was the whole deal with all the characters each getting to have their moments to shine, first of all. Second, it helped with the whole world building of the Spiderverse. Well, not just the Spiderverse, but the regular world as well. Honestly had this film not been as long as it was, it’s hard to say whether or not we would have gotten to know more of the Spiderverse more, gotten to know certain characters as well as we did, or had the chance to breathe in, and explore the Spiderverse, and more. Plus, even when it came to some of the action scenes, this film did a very great job with some of those moments being emotional, and getting characters well developed even then. Okay, not to say that something like that hasn’t happened in past films. Still, the way certain scenes, be it action scenes, or just regular ones, are handled is almost, if not quite perfection at it’s best. Spider-Man: Across The Spiderverse also has some very good comedy. I was surprised to find how much comedy ended up being in this sequel in the end. Truly, even if there weren’t as many comedic moments in this film as in many films from Marvel, it doesn’t downgrade this movie. Yes, comedy is good. Still, one should know when to insert comedy, and let the serious moments run their course. Without a doubt, this movie did a great job of that. For what comedy there was in this film, it was most definitely genius. There were even some characters that had some of the best lines in this film, most notably from Miles’ mother, Rio Morales, Gwen Stacy, and Peter Parker, that helped make both this film, and those individual characters, and the others, more memorable. There are also some really valuable lessons to take away from this film such as not letting things like bitterness get the best of you, being willing to do what’s right no matter what, listening to your conscience, and/or gut, being careful about who to listen to, or not listen to, especially when the latter group may be misguided, and quite a few other lessons as well. One last thing to mention is that the ending is most likely going to be a shock, and a surprise to many. I won’t say what happens at the very end. However, let’s just say that you’ll find yourself eager for the next part, however soon it comes out.

And that’s my review for Spider-Man: Across The Spiderverse. It is a really fun film with plenty of heart, more memorable characters, a more memorable story, even if you feel left on the edge of your seat more this time around, and a really, really fantastic world building. Honestly, I can see why the filmmakers made it as long as they did in the end. Do I see the sequel being just as long, if not longer. Well, we shall see come hopefully a few years from now, if not sooner. Regardless, make a point to see Spider-Man: Across The Spiderverse. If you liked Spider-Man: Into The Spiderverse, you’ll most likely enjoy Spider-Man: Across The Spiderverse even more so. Oh, and did I forget to mention that this is one of those movies that truly NEEDS to be experienced in the movie theater? That being said, go see it, and see what you think!

Final Grade: A+

Well, everyone, today, after taking a temporary break from Indiana Jones, we are going into the world of animation for this review, and the next one. For this animated film, we will be going into the legendary world of Disney/Pixar. Now, before I go on, I’d like to say a little something. As I’m sure especially many of us animation fans are aware, Disney/Pixar decided to release at least most of their original films from 2020 onwards straight to Disney+, rather than letting them have their films have a theatrical experience first. That is since the COVID was a bigger issue then. Like what, films such as Soul, Luca, and Turning Red all got the straight to streaming treatment. And even Onward got taken out of theaters, and straight to that streaming service when theater companies were forced to close their doors to avoid the spread of COVID (despite many people dying from the disease anyway). Yes, last year’s Lightyear got the theater experience. So that was nice. Now, three years after COVID became a huge threat to the US, and other places in the world, Disney/Pixar’s latest film, Elemental, has gotten the chance to have the theatrical experience before DVD/Blu-Ray, and Disney+. Was it worth it? Let’s find out by talking about Elemental, shall we?

Plot: Set in a fictional city called Elemental City, where characters are made up of any of the four elements, be it earth, fire, water, or air, two fire element immigrants named Bernie, and Cindy Lumen (Ronnie Del Carmen, and Shila Omni respectively) immigrate to the city, and develop a fire shop. After bearing their new daughter, Ember (played by Clara Lin Ding as child Ember, Reagan To as teenage Ember, and Leah Lewis as adult Ember), they decide to make a fire business, and have Ember take over the business. One day, when a leak occurs that ruins their ship underground, Ember must team up with a city inspector, who’s made of water, named Wade Ripple (Mamoudou Aggie) to find out where the water leak is coming from. Can they find the source, and save, Ember, and her parent’s business before it’s too late?

Now, as many of us know, Elemental has only been moderately successful at the box office during it’s theatrical run. In fact, out of the film’s $200 million budget, Elemental has only made $113 million domestically, and an additional $114.2 million internationally, adding up to $257.5 million worldwide. That being said, is Elemental that bad, or has it just not gotten enough positive word-of-mouth? Well, let me put it to you all this way. For being the first Disney/Pixar original film to come to the big screen since 2020’s Onward, it was still very good, but could have been better in some aspects. Let me explain! First of all, the world building could have likely been improved upon. Elemental City basically is almost like the world of Zootopia from the Disney film of that name. However, unlike Zootopia, while the world building was still adequate in this film, we could have maybe seen a little bit more of each of the four areas. Oh, don’t get me wrong, we still do get a taste of the four worlds. Still, it probably could have been better. Not only could this film have gone through maybe an additional draft, or two to fix that, but there were some minor characters that should have been cut from the film, most notably a kid from the Dirt district named Clod, who seemed to act a little creepy at times in this film. I just think that if he, and a few other unnecessary characters had been cut from the film, we would have gotten to see some additional characters more fleshed out. Thankfully, since Ember, Wade, and Ember’s parents are the main stars of this film, we at least get to see them shine, but still. The film could have also maybe had a little more comedy. Okay, okay, we do get to see some funny moments throughout this film. Even then, some of the jokes could have landed better, and been better executed. Additionally, there were a couple plot holes that should have been elaborated on, especially in couple instances in this film. Finally, there were a couple mystic mumbo jumbo moments in this film that made this film feel a little weird as well.

But again, since those are the only flaws for this film, the film is still overall enjoyable. To begin, there is the animation. Wow, Disney/Pixar went to a whole new level with this animation. I mean yes, the facial expressions, and things like that are just as great as in other Disney/Pixar films. The character designs were very much different from those of previous Disney/Pixar films too. I mean they hardly, if at all, look like plastic toys like they have in previous films, be it the Toy Story films, A Bug’s Life, Up, and most of those films from that company. Granted one of the main differences between those films, and this one is that there aren’t any human beings, and our characters are made up of one of the four elements. So maybe that’s why, I suppose. Well, regardless the upgrade of the characters works beautifully for a film like this one. They also made the character from Firetown actually look like fire, those of Watertown actually look like water, and so on, and so forth. You can tell the animators were trying their best to work on making character designs look the best that they can be. As for the animation of the world, yes, though the world building could have improved, the animation of the objects, the ground, and more is also really great. Next, there is the score by Thomas Newman, who of course is the cousin of Randy Newman (who composed the score for many of Disney/Pixar’s films). This is the fourth time that he’s composed for Disney/Pixar, following Finding Nemo (2003), WALL-E (2008), and Finding Dory (2016), and surprisingly quite a few live-action films. Though is score may not be quite up there with the previous Disney/Pixar films that he’s composed for, it is still really beautiful. I mean the way that he uses different instruments, be it some of the more tragic moments, or any of the more fun, and upbeat moments, it is so phenomenal how his music is played this time around. Though he probably won’t get nominated for Best Original Score, he should, if not win that. Don’t believe me!?! See this film, and see what you think! There’s also a very good song called “Steal The Show.” Not quite the best song, but still a good one nonetheless. The four main characters, Ember, Wade, and Ember’s parents are all really fleshed out as well. Even Wade’s parents get some time to shine, especially with helping with the arcs of some of the other main characters in this film. Additionally, even if most of the secondary characters could have either been more developed, or cut out altogether, the main ones still get their time to shine. Because of this, there is still a very good amount of heart into this film, and the storyline, despite the fact both aspects could have improved. As for the jokes, though a lot of those fell flat, there were others that worked very well. It was one of those hit, and miss situations, you know? Finally, there are some really great lessons to take away from this film such as not trying to be something you’re not, or what others want you to be. There are times where this film serves as a great reminder that it’s better to be yourself. Yes, that lesson has been done in the past before (Aladdin anyone?). However, the way that it’s handled before is surprisingly really well executed.

And that’s my review for Disney/Pixar’s Elemental. Even though it could have been better, Elemental serves as proof that the company still has magic left. Yes, Elemental was a little more mature than your typical Disney/Pixar film (which may have been both a benefit, and a negative). There could have been one, or two more draft updates to make this film better. Still, for what it is, it is still worth seeing, and helps prove that Disney/Pixar can make a good, if not quite great film. So, if you want to see a Disney/Pixar film that maybe more adults may enjoy, and kids can still enjoy too, that has a good song, and score, really phenomenal, and unique animation, and things like those, and all the more reason to give this film a chance. So, definitely go see Elemental, if you haven’t, and still want to. And see it with an open mind. Do not listen to the naysayers, even if this film could have been better in some aspects. Just see it, see what you think, and form your OWN opinion. That is especially since Elemental is proof that, first of all, Disney/Pixar still has magic left, and, two, the company can still make good, or even great films. Oh, and when the end credits are over, PLEASE DO BIT LEAVE THE MOVIE THEATER RIGHT AWAY. Why? Well, because after the credits, there is a tribute that Peter Sohn, the director of this film (and also directed the 2015 Disney/Pixar film The Good Dinosaur), makes to his parents, as this film was more of a tribute to him, his parents, and likely the rest of his family. So, if you want to see that tribute he makes, then make sure you stay through the end credits.

Final Grade: B-

P.S. Oh, and one more thing! Before Elemental shows, there is a short film that plays before it called Carl’s Date. Yes, I mean that shirt has Carl, and Doug the dog from Disney/Pixar’s Up returning for this short film. So, if you’re not as much of a fan of Elemental for one reason, or another, then hopefully you’ll at least like the short film, Carl’s Date.

Well, everyone, today, we review the somewhat more recent Indiana Jones film that was released back in 2008. Not only do we have Harrison Ford, along with Karen Allen surprisingly returning after being absent following Raiders Of The Lost Ark, but we have new actors like Cate Blanchett, and Shia LeBeouf joining the Indiana Jones cast this time around. So now, let’s review Indiana Jones & The Kingdom Of The Crystal Skull.

Plot: Set In the year 1957, Indiana Jones (Harrison Ford), his friend, Mac (Ray Winstone), ex-flame Marion Redwood (Karen Allen, and a young teenage boy named Mutt (Shia LeBeouf) must now prevent a legendary Crystal Skull from falling into the hands of Soviet general Irina Spalko (Cate Blanchett), and her Soviet army, while trying to take it to a city that was said to be a myth by the name of Akator. Now, if the city exists, can the heroes take it to Akator before Spalko tries to use it for her own greedy purpose?

Now, I’m sure that some of you may be wondering whether or not it was even worth coming out with this film almost twenty years after Indiana Jones & The Last Crusade. Well, although it’s a good film, it was probably not the best. In fact, even Temple Of Doom, which was one of the weaker Indiana Jones movies, seemed to even be better than this film. First of all, there was a little bit of a lack of character development, especially with some of the newer characters. I mean yes, some of them were developed well, but it could have been better for other ones. It was also strange, at points, with how some of the characters were written up. The storyline, while decent, probably was one of the weaker parts of this film. Again, Temple Of Doom was slightly better, but not by much. Additionally, the whole thing with the aliens seemed to feel a little Hocus Pocus. Additionally, why did we need unnecessary horror like elements? In fact, that is one thing that part of me has not been a fan of for these films is the fact that when certain characters get defeated, it’s shown in a scary, and horrifying way. Like why? There were also some plot holes in this film as well that were some of the most odd ones that one could think of. Finally, the climax of this film may have felt a little rushed as well.

But are there some good things? Well, yes, there still are. To begin, there is surprisingly some really good CGI, particularly when it comes to some of the backgrounds of the mythical city of Akator, the Crystal skull, and things like those. The acting especially from the main characters is also spot on. And John Williams, need I say more? His score is just as great, if not better than, the previous three films. Hopefully, he was able to compose the score for the newest installment, Dial Of Destiny. There was also some heart put into this film, even if that could have been better. The ending was also very much of a pleasant surprise as well. Finally, Cate Blanchett as the villain, commander Irina Spalko, was well casted. She did phenomenal, first of all. Second, it was great to have a female be a main villain this time around. Yes, we had female secondary villains throughout this series. But to have a main villain be a female was a very welcome change.

And that’s my review for Indiana Jones & The Kingdom Of The Crystal Skull. Yeah, it goes without saying that the Indiana Jones film series should have probably ended at The Last Crusade. Oh, I’m still willing to give Dial Of Destiny a chance. Still, I’m going to be cautiously optimistic for that one. That being said, I would say still see Indiana Jones & The Kingdom Of The Crystal Skull just to see a continuation of this franchise for however much longer. Still, probably see it if you have either Paramount+, or Disney*, and can watch it for free, or if you can check it out from your local library without having to wait to check it out. So there you have it.

Final Grade: C+

Well, everyone, today, we review what ended up being the last Indiana Jones movie for the next almost two decades until 2008’s Indiana Jones: Kingdom Of The Crystal Skull. Not only do we have actors like Harrison Ford, and John Rhys-Davies returning this time around, but we get to see Sean Connery appear as Henry/Indiana Jones Jr.’s father, Henry Jones, Sr. So now, let’s discuss Indiana Jones & The Last Crusade.

Plot: When Henry/Indiana Jones Jr. (Harrison Ford), and his long lost father, Henry Jones Sr. (Sean Connery), are informed by their old colleague, Walter Donovan (Julian Glover) that a legendary cup called the Holy Grail may exist, they seek help from Henry Jones, Sr.’ current colleague, Dr. Elsa Schneider (Alison Doody). But the Nazis are hot on their tail to have the Grail as well. Now, can Henry/Indy Jr., Henry Sr., Elsa Schneider, and Walter Donovan beat the Nazis to the legendary cup?

So now, the question remains, did this film help the Indiana Jones franchise go out with a bang, at least for the next almost twenty years? As a matter of fact, yes, very much so. First of all, the scenery is amazing, especially when some of the characters are in the state of Utah? Honestly, after comparing scenery in older films like this one to the cinematography, it’s definitely safe to say that movie makers nowadays need to up their game in that area of filmmaking. Why? Well, let’s just say that filmmakers in today’s day and age need to take notes form older films like this, Magnificent Seven, The Great Escape, and more. Now, Asmara I saying that cinematography in films nowadays has been all around horrible? No, absolutely not. Am I saying that movie makers need to go back to the old quality style of filmmaking as far as picture quality goes? Again, no, definitely not! Here’s what I am saying. When it comes to filmmaking, visuals have really been good. However, that’s usually been for mythical outer space scenes, and things like that. It would sheen that when characters are on land, filmmakers should somehow capture the audience with how great cinematography can be as well, you know? Anyway, now that that’s all out of the way, what else makes this film really good? Well, John Williams score. Okay, yes, his score in the other two films before this was good too. Still, it would seem as if he really upped his game to help make this movie even more epic than either Indiana Jones & The Temple Of Doom, or Indiana Jones: Raiders Of The Lost Ark. If he didn’t get an Oscar for Best Original Score for this installment, then I’d be curious to know what other film the Academy thought was more worthy of such an Oscar. And then, there’s the characters. Wow, even if quite a few of them are memorable in the other two films prior to this one, it really seems to be the ones in Indiana Jones & The Last Crusade that stand out the most. I mean not just Indiana Jones, Sallah, and Marcus Brody, but there’s of course Walter Donovan, Elsa Schneider, and, of course, Henry Jones, Sr. I’m not sure if it’s the acting that makes them standout, or most, if not all, of them seem to be the most well-written characters of the bunch, or something else. Or maybe it’s the better pacing of this Indiana Jones film? One way, or the other, this film seems to have better well-crafted characters this time around. Sure, there were times when Elsa’s character development at least was a little over complicated at times, but a little more on that later. And, of course, there’s the acting. While Harrison Ford did great as Indiana Jones, actors like John Rhys-Davies, and Sean Connery seemed to steal more of the show this time around, especially the latter as Henry Jones, Sr. I mean with John Rhys-Davies, this franchise is pre Lord Of The Rings for crying out loud, and he still has the humor for the role of Sallah that he carried over with the dwarf character, Gimli in the Lord Of The Rings trilogy. And Sean Connery, need I say more besides the fact that he has basically done phenomenal in any role of his, be it this film, older films like when he played James Bond a few times, First Knight, you name it. Finally, there are some moments, especially near the end that, let’s just say have deeper meaning to them. I won’t say what happens during these scenes near the end. However, let’s just say that when it comes to those symbolic moments of the film, you’d be surprised by how much conversation could potentially spark after you watch them. Not only are these scenes around the climax, and near the end rather symbolic, but it’s also amazing how much deeper meaning there is behinds those moments.

But is this the best of the Indiana Jones film franchise? Well, let me put it to you all this way. That would be the case if it weren’t for a couple flaws. What kind, you may ask? Well, for one, Elsa Schneider, while her character was mostly good, there were times during this movie when her character was a little too over complicated at times, especially around the middle of the film. The other thing is that there were some scenes that, while they were probably meant to be funny, still felt rather unnecessary in the end.

And that’s my review for Indiana Jones & The Last Crusade. Had it not been for the couple flaws that I mentioned, we might have had a film that would have not only been perfect, but temporarily ended the franchise on a slightly better note. Still, for what we got, it’s still worth seeing. The action is great, the acting is superb, most of the characters are likable, or, at least interesting, the score is great, maybe even the best of John Williams’ scores with this film series, and has some really good symbolic scenes with deeper meaning to them. I would say that if you’re going to at least watch the older Indiana Jones films, definitely save this one for after watching Temple Of Doom, and Raiders Of The Lost Ark. You’ll be amazed by how mostly great of a film it is in the end. So, again, see Indiana Jones & The Last Crusade, and see what you think!

Final Grade: A-

Ladies, and gentlemen, today, we continue on the Indiana Jones train. This time, we will be reviewing the very film in the library that I originally planned to make the first film that I rewatched, and reviewed. However, after hearing that the prequel, Indiana Jones & The Temple Of Doom takes place before the events of the other now four films, I decided to review that one first, and then review them in order of their release dates from there. That is since they are in order release wise, and chronically from there. So now, let’s finally review Indiana Jones: Raiders Of The Lost Ark.

Plot: When Indiana Jones (Harrison Ford) discovers that Nazi German forces are in Tanis, Egypt to seek, and excavate for the Ark Of The Covenant, he reunites with ex-flame Marion Ravenwood (Karen Allen), and, together, they attempt to find the Ark, and put it in a safe, and secure place before the Nazis find it, and attempt to use it for their own power, and gain?

Hands down, Indiana Jones: Raiders Of The Lost Ark is most definitely one of the better films of this franchise, especially when it comes to one’s that were released in the 1980s. First of all, the storyline feels much more stronger, and grittier than Indiana Jones & The Temple Of Doom at least seemed to be. I’m not sure where Steven Spielberg put his creative brain when he directed Temple Of Doom. However, after this one, I’m not sure that Spielberg had all of his creative brain on him, since Temple Of Doom didn’t seem quite as strong as either Raiders Of The Lost Ark, or possibly even 1989’s The Last Crusade (though we’ll see about the latter one once I rewatch that one as well). Anyway, enough of those comparisons, eh? Indiana Jones: Raiders Of The Lost Ark has a great plenty to like. First of all, the villains are very good. Also, for a starter film, it is really good. It almost feels like a James Bond type of film, but with more archaeology, and mystery involved. In addition to all of this, how could you not like Harrison Ford playing the leading role in this film? In addition to him, there’s also Karen Allen as ex/flame, soon to be love interest again Marion Ravenwood, Denholm Elliott as Jones’ loyal friend, Marcus Brody, and John Rhys Davies as Egyptian excavator, and Jones’ acquaintance, Sallah. Okay, before I move on with this review, let me just say that John Rhys-Davies really seems to help bring humor in many movies that he’s been in, like The Lord Of The Rings trilogy, and more. Any of the Indiana Jones films that he’s in are no exceptions. What’s more is that Indiana Jones’ relationships are handled really well, including the romance between him, and Marion Ravenhood, you name it. Additionally, there was the score by John Williams. Of course be did the score for films like the earlier Star Wars film, and Home Alone. Well, he did the score here, and most of the other Indiana Jones films like this one. Once again, Williams doesn’t disappoint. This Indiana Jones film also does a splendid job of keeping you on the edge of your seat. I mean from the action, to keeping you on the edge of your seat, and overall being excited nearly every moment of the film, there’s hardly a dull moment at all in Indiana Jones: Raiders Of The Lost Ark. Oh, and it was really cool to have part of the Bible brought up in this film since, well, this film revolves around our heroes, and villains trying to find the Ark Of The Covenant.

Still, there is at least one thing that keeps this film from having an A+. That being that there is a scene that occurs somewhat near the end. It is an iconic scene too, by the way. Anyway, one of the most iconic scenes that occurs near the end likely may drag for a little too long. Yes, it was still a good scene. It’s just that it probably could have been cut a little short.

And that’s my review for Indiana Jones: Raiders Of The Lost Ark. Honestly, after seeing both this film, and Temple Of Doom, I will say that part of me wishes that Temple Of Doom had been the one released in 1981, and Raiders Of The Lost Ark released in 1984. But hey, whether or not the franchise would have been as successful, or not, you got me. Either way, this film is engaging, had likable characters, a fantastic score, well developed relationships, and really great action. If you haven’t seen Indiana Jones: Raiders Of The Lost Ark, then al the more reason to see this film. Now, will Indiana Jones: & The Last Crusade be just as good, if not better, than this first film? We shall! Well, see you all in the next review either way!

Final Grade: A

Well, everyone, I wasn’t sure whether or not to review this film again after first seeing, and reviewing it when it first came out back in 2018. However, since I did something like this a couple times last year, and because I have more things to say than I did back then, I figured a second viewing, and another review were definitely in order. So, with all that said, let’s dive back into at least the first Spider-Man film of this animated Spider-Man franchise, and talk about it. Yes, it is Spider-Man: Into The Spiderverse.

Plot: After getting bitten by a spider, Miles Morales (Shamek Moore) develops new spider-like abilities. After meeting some new friends from alternate universes, including Peter Porker/Spider-Ham (John Mulaney), a Japanese girl from an anime-like universe named Peni Parker (Kimiko Glenn), and a couple other members, can they stop a crime boss named Wilson Fisk/Kingpin (Liev Schreiber) from bringing destruction on Miles’ universe, as he knows it, once and for all?

Now, for those of you who were friends with me on Facebook, you may recall that I gave this film a B+ when first seeing, and reviewing Spider-Man: Into The Spiderverse just on there back in 2018. Is that still a fair grade? Well, while I will still admit that this film does have a couple issues, I will also admit that this film is a little better this time around. But let’s go ahead, and start worth the negatives first. First of all, Kingpin was a decent villain. However, he could have been a little better developed, and, somehow, more menacing. He wasn’t a poorly developed villain, per se, but he could have been more memorable. The other issue is that there were a couple of the Spider crew members, like Peni Parker, who, while fairly well developed, could have likely been a little more fleshed out. Hopefully she, and any of the other lesser developed Spider members will have a little more time to shine in the newer film.

Now, with those out of the way, let’s discuss the good things. First of all, there’s the comic book type animation. The animation was drawn cleverly well, especially for a mainstream animated film. It also looked like a moving comic book. That was really clever, and served as proof that animation can somehow work one way, or the other. I mean you have things like a character saying “Owe!”, and the word “Owe” appearing onscreen, and some other clever moments line that make this film even more brilliant. So, if you want to see an animated film in with newer types of of backgrounds, and different kinds of drawn characters, then all the more reason to see this film. It was also creative to have these different Spider-creature characters each come from alternate universes, and different backgrounds, despite some of them being more developed than others. Oh, and how could you not like characters like Peter Porker/Spider-Ham? Honestly, especially when he, and the other Spider characters appeared around the middle to end of this film, he had quite a few funny lines, and moments, most notably when it comes to particular joke that he makes at one point. It was also nice to see that Columbia Pictures, and Sony Pictures Animation wasn’t just trying to just make a reboot of the Spiderman story that mainly featured Peter Parker, Mary Jane, Harry Osborne, Norman Osborne, and all of them. To have a newer character named Miles Morales, Gwen Stacy, even if they go a newer route with her character, Miles parents, and more, that was definitely a great way to go this time around. Well, not only that, but to also have this Spiderverse even spoken of is really good too. Finally, there were some really good lessons to take away from this film, a couple in particular. First of all, It was great to see this Spiderman, and his newer friends really teach the audience how, even when one hits the bottom, the only place to go left is up. Yes, that may sound cliche, but it was true for this film, and is still true in real life as well. The other really great lesson is how we really need to take leaps of faith in life, even when it may be hard. Definitely a great reminder as well, that’s for certain.

And that’s my review for Spider-Man: Into The Spiderverse. Even though it does have a couple issues like last time, I will admit that it was, and is better this time around. It has clean comic book style animation, fun characters, a really creative premise, and has some really good lessons to take away from. Spider-Man: Into The Spiderverse is most definitely one of Columbia, and Sony Pictures Animation’s better animated films for reasons such as these, and more. I would say that before you see the sequel, definitely see this film. Even if, for some odd reason, you don’t want to see the sequel, still see this film anyway because of how surprising of a film it actually is.

Final Grade: A-

Everyone, today, in honor of the new Indiana Jones film, Indiana Jones & The Dial Of Destiny being released near the end of this month, we are going to be going through the other films that came before it, starting with what apparently was a prequel to 1981’s Indiana Jones: Raiders Of The Lost Ark, and going through 2008’s Indiana Jones: Kingdom Of The Crystal Skull. So now, let’s go through this series, beginning with Indiana Jones & The Temple Of Doom.

Plot: Set in 1935, after surviving, and escaping from a murder attempt by Shanghai crime boss Lao Che (Roy Chiao), Indiana Jones, with the help of former nightclub singer Willie Scott (Kate Capshaw), and an Asian kid named Short Hand (Ke Huy Quan) arrive in an Indian village in the Himalayas called Myapore. They ask Indy, and his friends to retrieve a sacred lingam stone that was stolen by evil forces that live nearby in a palace called Pankot Palace. Jones agrees, believing that it is one of five sacred stones that helps fight evil. Will Jones, and his friends find this stone? Will Jones’ hypothesis be proven true, and will he be able to vanquish the evil that resides in Pankot Palace, and save the rural village from destruction?

So, 1984’s Indiana Jones & The Temple Of Doom is apparently a prequel to 1981’s Indiana Jones: Raiders Of The Lost Ark. How interesting! Well, was it a good prequel? Well, let me put it to you all this way! Indiana Jones & The Temple Of Doom was a decent prequel, but probably not the best. Oh yes, there is still some good things in it. So let’s start off with those. First of all, there are some action stunts/scenes that were very creative, most notably one action scene that occurs around the beginning of the film. Also, some of the characters, including the Chinese kid, Short Hand (who sometimes goes by the nickname of Shorty throughout this film) have some really funny lines, and moments. It was also nice to see some of the culture of the Indian village in the Himalayas, even if we could have gotten to know them a little more. The design of Pankot Palace was also really cool. We also get to see a softer side to Indiana Jones than we seemed to see if him in any of the other films. Well, I still have yet to rewatch the other Indiana Jones movies, but let’s just go with that for now, shall we? If that changes after rewatching the other three, soon to be four, films, I’ll let you know. The climax also had a good pace set for it as well. Finally, who doesn’t like the Indiana Jones theme music for this film, or any of the other Indiana Jones movies that have come out, or will be coming out?

Still, Indiana Jones & The Temple Of Doom does have some issues as well. First of all, the setup of the story wasn’t the best. I mean one moment this thing is happening a little too quickly, and then it’s onto the next thing. We don’t get too many of the characters too well, besides Indiana Jones, Willie Scott, and Short Hand. The storyline also doesn’t seem to feel all that solid, and gritty either. As for the villain, Mola Ram, he was a decent villain, but probably not the best. Sure, the filmmakers did a good job with him making the human sacrifices from time to time. Still, aside from that, he seemed to feel more one note. Same goes with most of the other characters. You don’t seem to care about them all too much. Like I said, Indiana Jones, Willie Scott, and Short Hand, you at least care for them to a degree. Still, even they didn’t seem to feel as memorable this time around. There were also a couple plot holes in this film as well. As a result of all this, the storyline doesn’t feel quite as solid, and feels a little too muddled in the end. So, did the filmmakers do better with Raiders Of The Lost Ark, The Last Crusade, or even Kingdom Of The Crystal Skull? Well, we shall find out fairly soon.

And that’s my review for Indiana Jones & The Temple Of Doom. Despite it having some good things in it, there’s no denying that this Indiana Jones movie seems to be one of the weaker films in this franchise. Yes, the kid was funny, some of the action scenes were fairly well choreographed, and things like those. Do the weaker elements make this film bad? Not exactly! As I said, the good elements help keep this movie afloat. Still, this Indiana Jones film could have been stronger, and better in the end. So, hopefully the filmmakers learned their lesson for the future films of this franchise that they would make, or will make. Well, still see Indiana Jones & The Temple Of Doom if you still have yet to. It’s still a part of the Indiana Jones franchise, there’s some fun action here and there, and there are a few other good things about it. So, definitely still see it, and see what you think!

Final Grade: B-

Continue reading “Movie Review # 605: Indiana Jones & The Temple Of Doom (1984)”

Well, everyone, today, we are going to be reviewing the latest installment of the Fast & The Furious film franchise. This time, not only do we have Vin Diesel returning as his character, but we have Jason Momoa joining the car crew as a newer character in this new sequel. So now, let’s discuss Fast X.

Plot: While Dom Toretto (Vin Diesel), his wife, his wife, Letty Ortiz (Michelle Rodriguez), their son, and the rest of their crew are traveling for business, a crime lord named Dante Reyes (Jason Momoa) comes into the scene to try, and bring harm on Dom, and the rest of his friends/family through threats, and whatever else he can do to avenge the death of his father sometime ago. Can Dom, and his crew stop Dante from accomplishing his diabolical scheme?

So, now, the question remains, did we need another Fast & The Furious movie, or did we even need any of the sequels that needed the 2001 film to begin with? Well, probably not! However, at the same time, if we were to have as many follow ups as we have had thus far, Fast X is surprisingly one of the better ones that we have gotten thus far. Now, I know what you’re thinking. A tenth film of film franchise one of the better ones, when typically, it’s the second, maybe even also the third film of a franchise when a sequel ends up being really good? Well, maybe that is the case more often than not. And yes, the Fast & The Furious movie franchise has had both it’s hits, and misses since the franchise began back in 2001. However, what makes this one of the better sequels, as well as likely even a standout from many of the previous sequels is the different tone, and approach that it seems to take this time around. I mean many times, we’ve been having quite a few fun action car films with this franchise over these past two decades. This time, however, not only do we have that, but we also have a sequel that seems much more exciting, more gritty, has what may be one of the best villains that this franchise could have, and surprisingly even some good messages, most notably when it comes to one of the main themes of Fast X being about having faith in situations, even when it may feel hard to do so. Elements like these help make this sequel feel much stronger than it likely would have been otherwise. Fast X also feels darker in tone than many of the other Fast & The Furious films. I won’t say how so, but let’s say that you’d be surprised by how enjoyable of a sequel this is as a result. It’s also one of those sequels where you’re most likely wanting to see more, due to there being a cliffhanger at the every end. What’s more is that there seems to be a lot of heart put into this sequel because of this. Why this film hasn’t made as more money than it already has is, well, a little mind boggling. Oh, and as far as the villain goes, you known how I mentioned that Fast X ends up having one of the best villains that this film series could have? Well, did I forget to mention that Jason Momoa (who, as I’m sure many of us know, plays Aquaman in the Aquaman film series) ends up being the one to play the villain, Dante Reyes? Well, the way he is handled, and how symbolic his character ends up being makes this movie even better. As for Dom Toretto, Letty, and the rest of the crew on the team of the good guys, the development of each of their characters is handled well too.

With all that said, are there any downsides for this film? Well, while the cliffhanger at the end is good, for the most part, there were still some aspects of the ending that felt like a plot hole, and, let’s just say stinted on a little bit of character development because of that. I won’t say what the situation was, except that it could have probably been handled a little better with an additional draft, if not more.

And that’s my review for Fast X. It is still worth seeing in the end. The film has great messages about learning to have faith no matter how hard that may be at times, mostly better character development, a stronger storyline than some of the other sequels in this film series of the past, and more. Fast X truly ups it’s game with better action, great messages, developing both the old, and new characters to the best ability possible, making this film feel like a more mature, and darker film than many of the other Fast & The Furious films, and more. I would say definitely Fast X whenever you can You’ll be glad that an additional sequel, or two, is in the works after seeing this film. It is one of those times where you’ll be bettering for more. So, see Fast X whenever you can. You’ll be glad that you did. Oh, and Vin Diesel, and Jason Momoa, you can’t go wrong with them, along with the other stars if this film, you know?

Final Grade: A

Hello, everyone! Welcome to yet another session of movie reviewing! Today, we are going back to an era, known as the 1970s, especially the early to mid, maybe late 1970s, when it seemed a little more common for movies to be turned into musicals, for films to be adapted from the original Broadway musicals. Wow, what a great time during both the 1960s, and 1970s, when that seemed to be more of a thing! Today’s film stars a young Victor Garber at the time (whom some of us may known for being in films like Titanic, Legally Blonde, Tuck Everlasting, and films like those), David Haskell, Robin Lamont, Gilmer McCormick, Katie Hanley, and a few other celebrities in the movie business. Oh, and did I forget to mention that today’s musical film just reached it’s 50th anniversary as of recently? Crazy, right! Anyway, let’s discuss the film adaptation of the musical, Godspell, the title of this film as well, and which was released back in 1973!

Plot: A small group of people that live in New York City gather together, and create their interpretation of the Gospels, mainly the Gospel of Matthew. In the process, they each begin to have close relationships with each other, and sing some original songs.

Alright, so what made decide to see Godspell was a couple things. One was that I’ve begun to appreciate musicals more as of almost 20, maybe 25 years ago, sometime like that, and see some of these older live-action musical films that I haven’t seen yet. The second reason was that, when I was in high school, during my sophomore year, my drama, and musical theater put on a show that I was in where we all sang a variety of songs from different Broadway plays, and/or films. Well, during my sophomore year, “Day By Day,” which derived from this film, known as Godspell, was one of those songs that we sang, and performed. Still, I never took time to see this film adaptation of the Broadway play, Godspell until just recently. Oh, and that leads to my third reason for being more eager to see this film. That is the fact that this film reached it’s 50th anniversary as of this year.

That all being said, was this film good? Actually, very much so. Sure, Godspell may have felt a little more like people performing a skit on stage in front of a live audience. Still, because it was done well, had some rather humorous moments, as well as plenty of memorable songs, especially during the beginning of the film, qualities like these, and more, make this film worth one’s time. What’s more, is that this film is really funny at times. Yeah, the way these characters create their interpretations especially of the Gospel of Matthew is creative, funny, and overall memorable as a result. The characters, and the actors, and actresses that played them have really great singing voices. Whoever was in charge of casting for this particular film did a really great job at it. The reason being is because, again, they sang the songs really well. I’m not sure how much auditioning, or even rehearsing needed to be done, be it the lines, or songs, you name it. Well, however long those all took, it all paid off well in the end. As far as casting goes, we have a young Victor Garber, at the time, playing Jesus, David Haskell playing both John The Baptist, and Judas Iscariot (I know that may sound strange for one actor, or actress to play multiple characters at least in a live-action, film, but, as you watch this film, you’ll understand why), Katie Hanley playing a diner waitress, Robin Lamont playing a window shopper, Gilmer McCormick playing a celebrity model, and more. The characters themselves are also really fun, and likable. As for the songs themselves, they are also amazing. Granted, it’s really the songs around the beginning to middle that you’ll probably be singing for weeks, and have stuck in your head, from “Day By Day,” “Prepare Ye The Way Of The Lord,” “God Save The People,” “Light Of The World,” and all of those songs. Yes, the songs after the middle are good too. It’s just that the ones that I mentioned that played around the beginning to middle of the film seem to be the more memorable ones. That reminds me, some of you have heard of a musical lyricist by the name of Stephen Schwartz, have you not? Well, first of all, he wrote the songs for both the original Broadway version of this musical, and this film version. He also wrote songs for shows like musicals like The Magic Show, The Baker’s Wife, Children Of Eden, and many more. When he started writing for musical films as well, not only did he write the songs for this film version of Godspell, but, in later years, he also wrote songs for films like Pocahontas (1995), The Hunchback Of Notre Dame (1996), The Prince Of Egypt (1998), the animation/live-action hybrid, Enchanted (2007), and quite a few other films. He’ll also be writing songs for the upcoming film version if the musical, Wicked, which will apparently be divided into two parts, with Parts One, and 2 being released near the end of 2024, and 2025 respectively. Anyway, although his soundtrack may not be fully memorable in this film, his ability to make some of the most memorable songs in other plays, and films that many of us likely know, and love has increased more, and more over the decades since then. Oh, and one more thing to add! If you like movies that have been made by Columbia Pictures, yet have not seen any of the films from say before the 1980s, 1990s, and onwards, and are curious to see what the Columbia Pictures logo was like with films like this one, then that’s another reason to see this film.

With all that said, are there any downsides? Well, first off, as I mentioned before the songs that came around maybe the third act of this film could have probably been a little more memorable. Additionally, there were one, or two scenes around the beginning of the movie that could have maybe been tweaked with one, maybe two additional drafts. Finally, the third act could have likely been handled a little better, particularly by expanding what might as well have been the climax, and final scenes of this film by an addition 15-20, maybe even 30 minutes. Maybe I’m missing something, but it seemed like that portion of the film felt a little rushed. It was almost like maybe the filmmakers were either a little too eager to get the audience to the end of the film, or some other unknown reason, something like that. Well, you got me!

And that’s my review for 1973’s Godspell. Though it may not quite be the classic film that might reach the same tier as other musical films like The Sound Of Music, Fiddler On The Roof, or some of those movies, Godspell still has plenty to offer. Yes, the songs that Stephen Schwartz wrote for this film could have been slightly more memorable than they were in the end. Still, even this film along with films like Pocahontas, The Hunchback Of Notre Dame, and The Prince Of Egypt, and others serve as proof Schwartz is very gifted when it comes to writing memorable original songs. It was also great to see the people in this movie reenact some of the Gospels in the New Testament in some of the the most clever, and inventive ways that one could think of. So, if you would like to see a movie with some good songs, and an overall creative way of hearing of the life of Jesus Christ, then all the more reason to see this film. I’ve even heard that people who were once atheists became Christian’s after seeing films like this one. Wow, if a Christian-themed film can even have that kind of an impact, then what a miracle! Anyway, definitely see Godspell, if you never have. It could have been a little better, sure. Still, for what it is, it is most definitely worth your time. So, watch it On Demand, try checking Godspell out from your local library, or whatever else works for you!

Final Grade: B+

P.S. Again, happy 50th anniversary to this movie musical version of Godspell!

Ladies, and gentlemen, today, we review the latest live-action remake that Disney just released a couple weeks ago, during Memorial Day weekend, as a matter of fact. It is a remake of the very Disney animated film that started the Disney Renaissance Era that went from 1989-1999. Yes, that’s right! It is a remake of the 1989 Disney animated film, The Little Mermaid. This time, we have Halle Bailey as Ariel, Javier Bardem as King Triton, Melissa McCarthy as Ursula the Sea Witch, Awkwafina as Scuttle, and more. So now, here is my review of the remake that was released 33.5-34 years later following the animated film’s release.

Plot: A Mermaid named Ariel (Halle Bailey) longs to go to the human world, against her father’s wishes. But one day, when she gives her voice to the Sea Witch, Ursula (Melissa McCarthy), she gets her chance to go to the human world, and stay there, if she can get Prince Eric (Jonah Hauer-King) to fall in love with her, and kiss her, or else belong to Ursula for eternity. Will Ariel’s plan succeed?

Alright, so I’ve been hearing a variety of reviews for this remake, ranging from people saying things like it’s one of Disney’s most woke films, to this remake being better than the original 1989 Disney animated film, and things like that. So, do people stand correct on both of those opinions? Well, there’s no right, or wrong when it comes to opinions. Still, we’ll address the latter issue now, and the former one later on in this review. First of all, the 1989 Disney animated film is such a classic film. Of course , the same can be said about all the other Disney animated films that Disney had made into live-action in recent years. So, it’s definitely hard for any of these remakes to outshine their original animated counterparts. Still, in a case like this new Little Mermaid, there are a few aspects of it that people may probably like better about it. First of all, there are the songs. Yes, “Daughters Of Triton,” and “Les Poisson,” we’re absent from this new remake. So, the comedy found in this new version shall be missed. However, we still have songs like “Fathoms Below,” “Part Of Your World,” “Under The Sea,” “Poor Unfortunate Souls,” “Kiss The Girl,” and all of those. We also have some new music, including a new one that Ariel sings called “For The First Time,” a solo from Prince Eric called “Uncharted Waters,” and a really, really hysterical rap song that Scuttle, and Sebastian sing, as a duo, called “The Scuttle Butt.” I mean for that last song that I mentioned, to have a song called “Scuttle Butt,” and a character named Scuttle singing it is just brilliant in and of itself. Oh, and to have both Alan Menken (who wrote the songs for the 1989 Disney animated film), and Lin Manuel Miranda team up for the music of this film, wow, definitely a great collaboration this time around. Additionally, although this remake does in fact have a lot of the same spirit of the original animated film, it seems to really put it’s own spin on it that didn’t seem to be found as much in remakes like Aladdin, or The Lion King, for instance. I mean it almost seems to feel like The Little Mermaid with a Pirates Of The Caribbean vibe added to it. Okay, okay, maybe that sounds like an exaggeration, since 2023’s The Little Mermaid, wasn’t violent like the Pirates Of The Caribbean films were, along with the fact that this film was rated PG, and not PG-13, and things like those. However, I will at least say that this film seems to have that type of vibe due to some of the music that plays, and was played during the time period that both movies were set in, that there were ships in both films, and more. Additionally, much like many of the remakes that Disney has churned out in more recent years, Disney does well with fleshing out a good majority of it’s characters. For instance you understand King Triton’s motives for hating humans, you seem to understand a little more of Ariel’s motive to want to go to the surface, and understand humans, and their way of life, and things like that. Ursula the Sea Witch was also really well developed. It was really great how Disney designed her, and things that revolved around her. Oh, and to have Melissa McCarthy play the Sea Witch, Javier Bardem playing King Triton, Halle Bailey playing Ariel, very good choices. Sure Ariel may be played by a dark-skinned person. Still, at least Bailey had a beautiful voice, and you can tell that it’s actually her singing voice. Disney also did excellent with some of the newer elements that they added to this version of The Little Mermaid. It is especially surprising with some of the plot twists that they added to this film. Yes, there is still some predictability with this film. However, you’d be surprised by the amount of plot twists that are found in this film as well. As for the amount of emotion that is involved in this film, even if there may be a tiny bit of raw emotion lacking in this film, there is also a greater amount of that as well. The CGI is also amazing, especially the underwater moments. If you liked the underwater scenes in films like the 1989 animated version of The Little Mermaid, or even in the 2003 Disney/Pixar film, Finding Nemo, chances are you’ll love the underwater scenes in this film too. Oh, and this film will surprisingly have plenty of laughs as well. Finally, the ending will most likely pull at your heartstrings.

But are there any downsides for this remake of the 1989 Disney Animated Classic film? Well, there are at least a couple things. First off, there’s the the elephant in the room, the whole woke deal. Okay, please, hear me out! In regards to say there being a rap song like “The Scuttle Butt” is a horrible thing, or that it’s a crime for Ariel to be played by a black female, that Scuttle is a female bird, and things like those, I’ll take arguments like those with a grain of salt. I mean with “The Scuttle Butt” being a rap song, let’s remember that Lin Manuel Miranda rapped in Disney films like Mary Poppins Returns, Moana, and Hamilton, one one song, or more, for all of those films, for instance. So, why should Little Mermaid be any different in that regard? I mean at that point, you might as well consider the other three films that I mentioned woke. Also, with Halle Bailey, sure, she’s black, but at least she demonstrated that she has a beautiful singing voice. Finally, what’s wrong with Scuttle being a female bird this time around, especially when she was voiced by Awkwafina, of all actresses, and she succeeded in bringing life, and a lot of comedy for this character, you know? That all being said, there is at least one thing that could potentially be woke about this film. What is that, you may wonder? It’s the whole deal about Ariel’s other six sisters being of different nationalities. Yeah. Okay, I don’t mean to sound racist, or anything like that. However, for one of her sisters to be black, one Asian, another Caucasian, I’m not sure that was the best move. Yes, I know this is just a movie. But come on, unless King Triton were to have multiple wives, or something like that, they should have all stuck close to one race, for the most part, you know? But hey, if you want to have a discussion about that, feel free to do so, if it’s CIVIL. Putting that potential woke real aside, there is one other way in which this film could have been better. That being that they could have elaborated more on why Ursula was exiled, and why she went from being a mermaid to being a creature that was half human, and half octopus.

And that’s my review for 2023 remake of The Little Mermaid. Although, this was a good film, Disney needs to be careful about not having any political agendas in their films, and starting to go back to coming out with more original live-action films like in better days. Still, because this film was very well done, definitely go see this film. You’ll have fun with it, get some laughs out of it, will enjoy some heartfelt moments, and more. Honestly, if you like the 1989 animated version of this film, chances are you’ll likely enjoy this new live-action one just as much, maybe even more so. So again, go see this new Little Mermaid, and see what you think!

Final Grade: A-

P.S. I have seen this movie twice already, which, nowadays, I don’t see as many movies multiple all too often. So there you have it!